They kneel in the street to face the statue of Ya
Mo, which is banked with lotus buds, offerings, and incense.
Impervious to the smattering of raindrops, the dancers sway their
arms above their heads, then create butterflies with their graceful
hands.
I was told that it rains every year during the opening
ceremony. But there has been drought for eight weeks so I left my
umbrella in the hotel. The storm gathers force. “A Miracle!”
people shout. “Sacred Rain!” The devout unfurl their umbrellas.
The dancers’ outfits are saturated and turn dark. Torrents make
the world invisible; I remove my streaming glasses and try to continue
photographing, but moving becomes impossible: my soggy skirt trips
me; I slide off my sandals. Worried that my camera electronics may
be ruined for the ten-day festival ahead, I wrap my equipment in a
plastic bag offered by a flower vendor, and give up.
The dancers continue their blissful tribute to Thao
Suranari. The women's dance will end in an obeisance: they must prostrate
themselves in the street where rainwater now overflows the curbings.
Not one dancer balks. They lie face down in the water, honored to
salute to the statue of the woman who saved their city with her sword.